
Tuesday, 6 October 2009
BJP Vision 2009

Martin Parr has just been confirmed as one of this year’s speakers
What is Vision?
BJP’s essential annual event for pro photographers
Come and learn from the world’s leading experts at Europe’s only event dedicated to aspiring pro and early career photographers.
Vision returns for its 11th year with a packed programme of talks, seminars and folio reviews at the Business Design Centre in London, providing inspiration, information and essential ideas to get your career moving.
Many of the industry’s leading manufacturers will also be there to showcase their latest products and services, giving you a unique opportunity to meet key innovators all under one roof.
Confirmed speakers
Vision 2009 Speakers are yet to be announced – Previous speakers at Vision include:
Anders Petersen:
‘I seek out hidden places and hidden people. With death close by, life is so much clearer.’ The legendary Swedish photographer is best known for his masterwork, Café Lehmitz, his diaristic account of a seedy Hamburg bar during the late 1960’s. Shooting mainly in black-and-white, he seeks out people on the fringes of society, such as prostitutes, drug addicts and psychiatric patients. ‘To me, its encounters that matter,’ he says, ‘pictures are much less important’. http://www.anderspetersen.se/
What is Vision?
BJP’s essential annual event for pro photographers
Come and learn from the world’s leading experts at Europe’s only event dedicated to aspiring pro and early career photographers.
Vision returns for its 11th year with a packed programme of talks, seminars and folio reviews at the Business Design Centre in London, providing inspiration, information and essential ideas to get your career moving.
Many of the industry’s leading manufacturers will also be there to showcase their latest products and services, giving you a unique opportunity to meet key innovators all under one roof.
Confirmed speakers
Vision 2009 Speakers are yet to be announced – Previous speakers at Vision include:
Anders Petersen:
‘I seek out hidden places and hidden people. With death close by, life is so much clearer.’ The legendary Swedish photographer is best known for his masterwork, Café Lehmitz, his diaristic account of a seedy Hamburg bar during the late 1960’s. Shooting mainly in black-and-white, he seeks out people on the fringes of society, such as prostitutes, drug addicts and psychiatric patients. ‘To me, its encounters that matter,’ he says, ‘pictures are much less important’. http://www.anderspetersen.se/
Rene Burri:
Rene Burri – best known for his iconic images of Che Guevara, Picasso and the Brazillian capital – has captured many of the major political, historical and cultural events of the second half of the 20th century. ‘Pictures are like taxis during rush hour,’ he once said. ‘If you’re not fast enough someone else will get them first.’ He is one of Magnum’s best known photographers, having joined the agency in 1955, and was given a huge retrospective of his work three years ago at the Maison Europeenne de la Photographie in Paris, which toured many other European museums and was accompanied by a large monograph published by Phaidon. http://www.magnumphotos.com/archive/
Rene Burri – best known for his iconic images of Che Guevara, Picasso and the Brazillian capital – has captured many of the major political, historical and cultural events of the second half of the 20th century. ‘Pictures are like taxis during rush hour,’ he once said. ‘If you’re not fast enough someone else will get them first.’ He is one of Magnum’s best known photographers, having joined the agency in 1955, and was given a huge retrospective of his work three years ago at the Maison Europeenne de la Photographie in Paris, which toured many other European museums and was accompanied by a large monograph published by Phaidon. http://www.magnumphotos.com/archive/
Simon Norfolk:
Best known for his stunning large format I ages exploring the socio-economic effects of militarism, Norfolk has been acclaimed as the leading British photographer of his generation. From supercomputers and hi-tech missile launchers, to refugee camps and the battle –scarred landscapes of Iraq and Afghanistan, his longterm series, Et in Arcadia ego, takes an oblique look at conflict, far removed from classic war photography. http://www.simonnorfolk.com/
Best known for his stunning large format I ages exploring the socio-economic effects of militarism, Norfolk has been acclaimed as the leading British photographer of his generation. From supercomputers and hi-tech missile launchers, to refugee camps and the battle –scarred landscapes of Iraq and Afghanistan, his longterm series, Et in Arcadia ego, takes an oblique look at conflict, far removed from classic war photography. http://www.simonnorfolk.com/
Brian Griffin:
Named photographer of the decade by The Guardian, Brian Griffin’s mastery of lighting and Expressionistic influences took portraiture to new heights in the 1980’s. He has captured iconic images of many of Britain’s leading musical and acting talent by maintaining an uncompromising approach to his subjects, whom he insists are the actors in his sets. http://www.briangriffin.co.uk/
Named photographer of the decade by The Guardian, Brian Griffin’s mastery of lighting and Expressionistic influences took portraiture to new heights in the 1980’s. He has captured iconic images of many of Britain’s leading musical and acting talent by maintaining an uncompromising approach to his subjects, whom he insists are the actors in his sets. http://www.briangriffin.co.uk/
Wednesday, 30 September 2009
Monty Python - Alex Errey
Monty Python’s
“Almost the Truth: The lawyer’s cut”
"This is the documentary I always hoped that would be made - something so complete and so faithful to the truth that I don't need to watch it," Terry Jones
There are some things that Britain does better than anybody else. We are the best at queuing, if there isn’t a queue we make one. We also know how to make the perfect bacon sandwich. Best of all, we have the most diverse funny bone. Comedy was basically invented by us, long before American sitcoms were even thought of, we were filling our T.V screens with classics such as At last the 1948 show and children’s programme, Do not adjust your set. If we are to talk about such shows, we can’t miss out one of our greatest institutions, the pinnacle of British comedy, Monty Python’s Flying Circus.
The laugh a minute, world dominating comedy celebrates its 40th anniversary this year and to celebrate this unforgettable fact, the Pythons have come up with their last and most endearing project yet. Monty Python’s Almost the Truth: The lawyer’s cut is a six-part documentary of the Python Phenomenon detailing in 465 glorious minutes the truth behind it all. Each episode documents a different era in the Python world: 'The Not-So-Interesting Beginnings', 'The Much Funnier Second Episode', 'And Now, The Sordid Personal Bits', 'The Ultimate Holy Grail Episode', 'Lust For Glory!' and 'Finally! The Last Episode (Ever) (For Now...)'. They contain interviews with the five remaining Pythons and archive contributions from the late Graham Chapman. Celebrities also share their views on how Monty Python changed their lives.
I am very excited to see this amazing series which comes to DVD on 26th October 2009 but being such a big Python fan I had to find out more. What else would they be doing for this landmark age? After much research (done by a good friend of mine), I discovered that Vue cinemas would be showing a specially cut edition of the series, for one night only. I was able to get my hands on a very sought after ticket to see the show at Vue: Portsmouth.
Knowing that I would be watching a documentary, I found it difficult to work out how the Pythons could throw mountains of facts and some obvious fiction at the audience without it becoming tedious and repetitive. I didn’t have to wait long to find out, no previews, a welcomed bonus. Monty Python’s Almost the Truth: The lawyer’s cut was a 150 minute work of excellence, produced to a very high standard and in High definition. All members of the Python gang, including rarely seen Terry Gilliam and unofficial Pythoness, Carol Cleveland, told their side of the story, including exclusives about the real BBC and sketches that never made it. It’s a shame that a sketch by Eric Idle and Michael Palin didn’t make it only because the BBC censors claimed it contained references to menstrual fluid. The sketch was about a wine taster in France, he described the taste and what type the wine was. On asking the accompanying Frenchman “Yes?” the Frenchman replied “Non, it’s Oui Oui.” When they included a bottle of Rosé in the joke, well, you can work out the rest.
The interviews were very heavy going. After an hour of listening to just the Pythons talk, I was starting to get tired. Trying to keep your full attention on the screen was difficult. Also, a lot of the information present was already in the public knowledge, especially if you’re a hardcore fan of their work. I knew pretty well all the knowledge but it was nice to hear it straight from the horse’s mouth. I was left wanting more information at certain points though. Yes, the show was about Monty Python but it would have been nice to see how they flowed into their solo projects. John Cleese for example, he was once married to Connie Booth and it would have been nice to know if she had anything to do with the Python projects. She did, of course, have a brief role in The Holy Grail. Is that all?
Between the Pythons talking about the past and celebrities telling us how Monty Python affected their lives, classic sketches were shown in what seemed to be High Definition. The Parrot sketch, Pepperpots & clips from their various film projects were present but none were shown in full. Most of the famous sketches, which people want to see on the big screen, weren’t even mentioned. I personally think this was what the Pythons were doing on purpose. We’ve seen all their work, we know what they do, and they rather we on how and why they did it. Sketches can get played too much, making them not so much classic, as crass. I think that a sing-a-long of The Lumberjack song wouldn’t have gone a miss though.
Overall, it was a masterpiece. I enjoyed learning more about the reasoning behind some of their work. It was also a very enlightening affair when it came to talking about the late, great Graham Chapman. Yes, I knew he was an alcoholic but I didn’t know that he was drinking more than four pints of Gin a day. It was nice to get a perspective from his partner on who he truly was. I now grasp the power struggle that Monty Python dealt with, who was Monty in the group? I am glad that they decided to end it this way, 40 years is along time to be in the spotlight even thought they weren’t Python for the most of it. All I can say is, this…is an ex parrot!
All hail the Monty Python’s Flying Circus!
“Almost the Truth: The lawyer’s cut”
"This is the documentary I always hoped that would be made - something so complete and so faithful to the truth that I don't need to watch it," Terry Jones
There are some things that Britain does better than anybody else. We are the best at queuing, if there isn’t a queue we make one. We also know how to make the perfect bacon sandwich. Best of all, we have the most diverse funny bone. Comedy was basically invented by us, long before American sitcoms were even thought of, we were filling our T.V screens with classics such as At last the 1948 show and children’s programme, Do not adjust your set. If we are to talk about such shows, we can’t miss out one of our greatest institutions, the pinnacle of British comedy, Monty Python’s Flying Circus.
The laugh a minute, world dominating comedy celebrates its 40th anniversary this year and to celebrate this unforgettable fact, the Pythons have come up with their last and most endearing project yet. Monty Python’s Almost the Truth: The lawyer’s cut is a six-part documentary of the Python Phenomenon detailing in 465 glorious minutes the truth behind it all. Each episode documents a different era in the Python world: 'The Not-So-Interesting Beginnings', 'The Much Funnier Second Episode', 'And Now, The Sordid Personal Bits', 'The Ultimate Holy Grail Episode', 'Lust For Glory!' and 'Finally! The Last Episode (Ever) (For Now...)'. They contain interviews with the five remaining Pythons and archive contributions from the late Graham Chapman. Celebrities also share their views on how Monty Python changed their lives.
I am very excited to see this amazing series which comes to DVD on 26th October 2009 but being such a big Python fan I had to find out more. What else would they be doing for this landmark age? After much research (done by a good friend of mine), I discovered that Vue cinemas would be showing a specially cut edition of the series, for one night only. I was able to get my hands on a very sought after ticket to see the show at Vue: Portsmouth.
Knowing that I would be watching a documentary, I found it difficult to work out how the Pythons could throw mountains of facts and some obvious fiction at the audience without it becoming tedious and repetitive. I didn’t have to wait long to find out, no previews, a welcomed bonus. Monty Python’s Almost the Truth: The lawyer’s cut was a 150 minute work of excellence, produced to a very high standard and in High definition. All members of the Python gang, including rarely seen Terry Gilliam and unofficial Pythoness, Carol Cleveland, told their side of the story, including exclusives about the real BBC and sketches that never made it. It’s a shame that a sketch by Eric Idle and Michael Palin didn’t make it only because the BBC censors claimed it contained references to menstrual fluid. The sketch was about a wine taster in France, he described the taste and what type the wine was. On asking the accompanying Frenchman “Yes?” the Frenchman replied “Non, it’s Oui Oui.” When they included a bottle of Rosé in the joke, well, you can work out the rest.
The interviews were very heavy going. After an hour of listening to just the Pythons talk, I was starting to get tired. Trying to keep your full attention on the screen was difficult. Also, a lot of the information present was already in the public knowledge, especially if you’re a hardcore fan of their work. I knew pretty well all the knowledge but it was nice to hear it straight from the horse’s mouth. I was left wanting more information at certain points though. Yes, the show was about Monty Python but it would have been nice to see how they flowed into their solo projects. John Cleese for example, he was once married to Connie Booth and it would have been nice to know if she had anything to do with the Python projects. She did, of course, have a brief role in The Holy Grail. Is that all?
Between the Pythons talking about the past and celebrities telling us how Monty Python affected their lives, classic sketches were shown in what seemed to be High Definition. The Parrot sketch, Pepperpots & clips from their various film projects were present but none were shown in full. Most of the famous sketches, which people want to see on the big screen, weren’t even mentioned. I personally think this was what the Pythons were doing on purpose. We’ve seen all their work, we know what they do, and they rather we on how and why they did it. Sketches can get played too much, making them not so much classic, as crass. I think that a sing-a-long of The Lumberjack song wouldn’t have gone a miss though.
Overall, it was a masterpiece. I enjoyed learning more about the reasoning behind some of their work. It was also a very enlightening affair when it came to talking about the late, great Graham Chapman. Yes, I knew he was an alcoholic but I didn’t know that he was drinking more than four pints of Gin a day. It was nice to get a perspective from his partner on who he truly was. I now grasp the power struggle that Monty Python dealt with, who was Monty in the group? I am glad that they decided to end it this way, 40 years is along time to be in the spotlight even thought they weren’t Python for the most of it. All I can say is, this…is an ex parrot!
All hail the Monty Python’s Flying Circus!
Friday, 25 September 2009
Film Review Crank 2 Alex Errey
Crank 2: High Voltage (2009)
“He was dead…But he got better”
“Stay charged…Stay alive”
“Awesome” Zoo
“Simmering charisma and impressive physicality” Hollywood Reporter
Lions gate
Lakeshore Entertainment
Written & Directed by Mark Neveldine & Brian Taylor
Cast: Jason Statham, Amy Smart, Dwight Yoakam, Efren Ramirez, Art Hsu, Ling Bai & Clifton Collins Jr.
There will never be a need for anymore action movies. The back catalogue stretches way beyond anyone’s line of sight. The Die Hard Quadrilogy (1988-2004), Independence Day (1996) and many other well made but slightly tedious blockbusters empower themselves onto our screens, with A package of fast-paced, hardcore action, mixed with witty and somewhat comical dialogue, roared from the mouth of a well built, slightly askew actor trying to imprint himself on the Hollywood sign. Gladly, I’m a fan of such films but is this genre starting to come to a close? How many more original ideas can be brought to the forefront of mainstream cinema?
Crank (2006) saw an original but somewhat outrageously over the top idea of chaos in the Los Angeles gangland. A hired killer is poisoned by his rival and due to the potency of this so called “Beijing Cocktail”, has to keep his adrenaline at ridiculously high levels. Cue car chases, ill advised sex in public & ultra violence by the bullet load which enthralled the audience & gained itself a cult following. The real question is, why make another?
Crank 2: High Voltage (2009) was never meant to exist. Due to events that happened at the end of the first film, you would be right in thinking that a second Crank would be put into production but the writers didn’t even consider it until they saw the DVD sales, where all the money was made. Being convinced to write another chapter in the unlucky life of Chev Chelios (Jason Statham), the story’s foul mouthed & seemingly indestructible lead character, their plan was not to take part in the films production. After completing the script, which seems to have been developed while on various coffee and drug related highs, they were so impressed by it that they gave themselves director credits for the film’s shoot.
The tale starts where the first one stopped, Chev falling out of a helicopter and enduring an almighty stop in the way of the downtown Los Angeles traffic. After seemingly surviving the fall, his body is hastily collected by a group of Chinese thugs. Cut to three months later and he’s lying in a drab hospital bed with an artificial ticker whirring in his chest. I personally would have reacted differently finding a battery attached to me but Chev, being the man he is, escapes in a wave of violence and unconventional interrogation techniques. With this new information he ventures forth, hoping to chat with the man who supposedly has his “Strawberry-tart”. Seems quite logical, until an accident leaves his battery pack useless, meaning poor Chelios has to keep himself electrically charged by any means possible. Shocking!
Statham happily reprises his role as Chev Chelios, bringing back the resourcefulness but stepping up the psychopath. As with most Statham films, the action is very hands on and physically demanding. Even though he did have a stunt double/look-a-like on set, Jason did practically all his own stunts and an awful lot of running. A man with an electrically charged body is bound to do a lot of running, I could be wrong. Amy Smart returns as ever faithful girlfriend Eve, which is a surprise seeing as I still don’t know how the character puts up with so much in her life. Could it be the love they Share or is it just that she enjoys engaging in adventurous sex, in front of thousands of gambling punters? You decide.
If you are a faithful Crank fan, then you’ll be happy to hear that all the surviving characters make an appearance in this over the top second outing. Some of which have certainly “Developed” since the first film, especially Orlando played by Reno Wilson. You will understand if you watch the film. Explaining it would be pointless and would spoil the surprise. Speaking of surprises, see if you can identify an actor who’s a legend in his own right but who also sadly passed away in recent months.
Everything I’ve said about Crank 2: High Voltage so far has been positive. I really hate to say negatives about a film I really enjoy but I wouldn’t be a competent reviewer if all my opinions made films look godly. The story lacks the pure energy of the first, putting the whole electricity thing to one side of course, it lacks the urgency and pure fluidity. Seeing a man trying to keep his heart pumping by doing dangerous stunts and taking drugs was a new idea, it gave life to an almost original story. This time round, it’s purely for laughs. Not overly a bad thing but when the film’s side plots and dialogue take over the running of the film; it makes the whole charging to stay alive action seem insignificant, which it really isn’t.
The action movie will continue to evolve even if, in the end, it can only be a part of limited number of scenarios. Crank 2: High Voltage will have its own cult following, just as the first, but it will be a different group. Comedy fans and the odd surreal follower will give this film a high mark out of ten. Original fans won’t be so generous with the scores. Many films don’t have the wit, comedic timing, blistering brutality or the sheer testicular fortitude as Crank 2: High Voltage does. Yes, Crank did warrant a sequel but no, it defiantly didn’t need one.
Crank 2: High Voltage Trivia
The character was also offered to another one of the UK’s treasured action stars, Gerard Butler, known for his role as the fearless Spartan Leonidas in graphic war epic, 300 (2006).
The Directors filmed over 300 hours of footage in 30 days of shooting.
The artificial heart shown in the movie is actually a real artificial heart, the AbioCor from Abiomed. However, it doesn’t have any external power source or way of being charged.
A rather large “organ” can be seen on the pelvic x-ray near the beginning of the movie.
“He was dead…But he got better”
“Stay charged…Stay alive”
“Awesome” Zoo
“Simmering charisma and impressive physicality” Hollywood Reporter
Lions gate
Lakeshore Entertainment
Written & Directed by Mark Neveldine & Brian Taylor
Cast: Jason Statham, Amy Smart, Dwight Yoakam, Efren Ramirez, Art Hsu, Ling Bai & Clifton Collins Jr.
There will never be a need for anymore action movies. The back catalogue stretches way beyond anyone’s line of sight. The Die Hard Quadrilogy (1988-2004), Independence Day (1996) and many other well made but slightly tedious blockbusters empower themselves onto our screens, with A package of fast-paced, hardcore action, mixed with witty and somewhat comical dialogue, roared from the mouth of a well built, slightly askew actor trying to imprint himself on the Hollywood sign. Gladly, I’m a fan of such films but is this genre starting to come to a close? How many more original ideas can be brought to the forefront of mainstream cinema?
Crank (2006) saw an original but somewhat outrageously over the top idea of chaos in the Los Angeles gangland. A hired killer is poisoned by his rival and due to the potency of this so called “Beijing Cocktail”, has to keep his adrenaline at ridiculously high levels. Cue car chases, ill advised sex in public & ultra violence by the bullet load which enthralled the audience & gained itself a cult following. The real question is, why make another?
Crank 2: High Voltage (2009) was never meant to exist. Due to events that happened at the end of the first film, you would be right in thinking that a second Crank would be put into production but the writers didn’t even consider it until they saw the DVD sales, where all the money was made. Being convinced to write another chapter in the unlucky life of Chev Chelios (Jason Statham), the story’s foul mouthed & seemingly indestructible lead character, their plan was not to take part in the films production. After completing the script, which seems to have been developed while on various coffee and drug related highs, they were so impressed by it that they gave themselves director credits for the film’s shoot.
The tale starts where the first one stopped, Chev falling out of a helicopter and enduring an almighty stop in the way of the downtown Los Angeles traffic. After seemingly surviving the fall, his body is hastily collected by a group of Chinese thugs. Cut to three months later and he’s lying in a drab hospital bed with an artificial ticker whirring in his chest. I personally would have reacted differently finding a battery attached to me but Chev, being the man he is, escapes in a wave of violence and unconventional interrogation techniques. With this new information he ventures forth, hoping to chat with the man who supposedly has his “Strawberry-tart”. Seems quite logical, until an accident leaves his battery pack useless, meaning poor Chelios has to keep himself electrically charged by any means possible. Shocking!
Statham happily reprises his role as Chev Chelios, bringing back the resourcefulness but stepping up the psychopath. As with most Statham films, the action is very hands on and physically demanding. Even though he did have a stunt double/look-a-like on set, Jason did practically all his own stunts and an awful lot of running. A man with an electrically charged body is bound to do a lot of running, I could be wrong. Amy Smart returns as ever faithful girlfriend Eve, which is a surprise seeing as I still don’t know how the character puts up with so much in her life. Could it be the love they Share or is it just that she enjoys engaging in adventurous sex, in front of thousands of gambling punters? You decide.
If you are a faithful Crank fan, then you’ll be happy to hear that all the surviving characters make an appearance in this over the top second outing. Some of which have certainly “Developed” since the first film, especially Orlando played by Reno Wilson. You will understand if you watch the film. Explaining it would be pointless and would spoil the surprise. Speaking of surprises, see if you can identify an actor who’s a legend in his own right but who also sadly passed away in recent months.
Everything I’ve said about Crank 2: High Voltage so far has been positive. I really hate to say negatives about a film I really enjoy but I wouldn’t be a competent reviewer if all my opinions made films look godly. The story lacks the pure energy of the first, putting the whole electricity thing to one side of course, it lacks the urgency and pure fluidity. Seeing a man trying to keep his heart pumping by doing dangerous stunts and taking drugs was a new idea, it gave life to an almost original story. This time round, it’s purely for laughs. Not overly a bad thing but when the film’s side plots and dialogue take over the running of the film; it makes the whole charging to stay alive action seem insignificant, which it really isn’t.
The action movie will continue to evolve even if, in the end, it can only be a part of limited number of scenarios. Crank 2: High Voltage will have its own cult following, just as the first, but it will be a different group. Comedy fans and the odd surreal follower will give this film a high mark out of ten. Original fans won’t be so generous with the scores. Many films don’t have the wit, comedic timing, blistering brutality or the sheer testicular fortitude as Crank 2: High Voltage does. Yes, Crank did warrant a sequel but no, it defiantly didn’t need one.
Crank 2: High Voltage Trivia
The character was also offered to another one of the UK’s treasured action stars, Gerard Butler, known for his role as the fearless Spartan Leonidas in graphic war epic, 300 (2006).
The Directors filmed over 300 hours of footage in 30 days of shooting.
The artificial heart shown in the movie is actually a real artificial heart, the AbioCor from Abiomed. However, it doesn’t have any external power source or way of being charged.
A rather large “organ” can be seen on the pelvic x-ray near the beginning of the movie.
Alex Errey
Tuesday, 22 September 2009
ShowStudio @ Somerset House
ShowStudio are having an amazing Exhibition at Somerset House.
@ The Embankment Galleries,
17 September - 20 December 2010
They are having a mix of usual exhibits and live studio experiences. Its all truely brilliant!
The whole concept of ShowStudio is mind blowing, check their website bellow; they can explain themselves much better than i ever could..
@ The Embankment Galleries,
17 September - 20 December 2010
They are having a mix of usual exhibits and live studio experiences. Its all truely brilliant!
The whole concept of ShowStudio is mind blowing, check their website bellow; they can explain themselves much better than i ever could..
The video bellow is made for the exhibition. WATCH IT
Monday, 21 September 2009
Icecreamists Launch Party!
Stevie and I were lucky enough to go to the Launch party of 'God Save the Cream' by the Icecreamists. The Icecreamists are bloody sexy cool bunch of guys who make quality ice cream and flipping awesome cocktails all headed up 'The master of Cool Innovation' Matt O'Connor.
'A subversive new ice cream brand will launch in Selfridges' Flagship Oxford Street store in September 2009 with subterranean "God Save The Cream" themed ice cream and entertainment installation in the store's Ultralounge on the lower ground floor.'
We were lucky enough to go in the place of Lucianna Bianchi, Thank you Lucianna you are amazing!
The best i can describe God Save the Cream is like a sexy club/Live venue with Ice cream, with added in Beautiful super models and lovely friendly staff. The whole effect of the Installation is absolutely brilliant, From the Gothic interior to the pimped out ice cream van with a full size manikin of the queen. I especially liked the Icrecreamists Deck chairs. Oh yeah the cocktails and ice cream was incredible too!
The whole thing was a class act. We loved it. If your in London go see it! Its only there for a month!
We want to get into more reviewing of events and helping to promote them, If you have an event and want to invite us and get our support please get in contact.
www.theicecreamists.com
'A subversive new ice cream brand will launch in Selfridges' Flagship Oxford Street store in September 2009 with subterranean "God Save The Cream" themed ice cream and entertainment installation in the store's Ultralounge on the lower ground floor.'
We were lucky enough to go in the place of Lucianna Bianchi, Thank you Lucianna you are amazing!
The best i can describe God Save the Cream is like a sexy club/Live venue with Ice cream, with added in Beautiful super models and lovely friendly staff. The whole effect of the Installation is absolutely brilliant, From the Gothic interior to the pimped out ice cream van with a full size manikin of the queen. I especially liked the Icrecreamists Deck chairs. Oh yeah the cocktails and ice cream was incredible too!
The whole thing was a class act. We loved it. If your in London go see it! Its only there for a month!
We want to get into more reviewing of events and helping to promote them, If you have an event and want to invite us and get our support please get in contact.
www.theicecreamists.com

Errey and Stevie looking rather happy!
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